As part of my blog tour for Sweet Disorder, I wrote a guest post at Heroes and Heartbreakers about the tradition of widows and dead first husbands in historical romance. For that post, I interviewed the authors of some of my favorite historicals with widow heroines, and I got back such awesome, detailed answers that I wanted to share the complete interviews with you.
Here’s what Courtney Milan had to say about her heartwrenching, amazing The Countess Conspiracy.
Two warnings: this post contains mentions of rape and abuse, and there is a major spoiler for the series in the upcoming back cover copy.
Sebastian Malheur is the most dangerous sort of rake: an educated one. When he’s not scandalizing ladies in the bedchamber, he’s outraging proper society with his scientific theories. He’s desired, reviled, acclaimed, and despised—and he laughs through it all.
Violet Waterfield, the widowed Countess of Cambury, on the other hand, is entirely respectable, and she’d like to stay that way. But Violet has a secret that is beyond ruinous, one that ties her irrevocably to England’s most infamous scoundrel: Sebastian’s theories aren’t his. They’re hers.
So when Sebastian threatens to dissolve their years-long conspiracy, she’ll do anything to save their partnership…even if it means opening her vulnerable heart to the rake who could destroy it for good.
“Dead first husband” is hereafter abbreviated DFH.
RL: DFHs fall on a spectrum between evil abusive assholes and great guys the heroine could have been with forever if they’d lived. Where do you see Lord Cambury as falling, and did you know from the start where you wanted Lord Cambury to land?
CM: Lord Cambury absolutely falls on the “abusive asshole” end of the spectrum, with the caveat that his behavior at the time would not have been seen as particularly abusive. I don’t want to say more because spoilers, but while I think his behavior is awful and unforgivable, it’s also something that wouldn’t have been seen as anything other than aggressive at the time. You can find tales of that kind of thing happening to all kinds of degrees back then.
I’d planned for him to be a Not Great Guy from the beginning. The exact details shifted over time, though.
RL: DFHs mean something a little different in Regency- and Victorian-set historicals since divorce wasn’t widely available. Like, if the heroine is married to someone other than the hero, he has to die for her to marry the hero. How do you think that affected your story?
CM: I don’t think it did.
I think the story is more affected by other powers that a husband has over a wife in that time period. For instance, they refer to sexual intercourse between a husband and his wife as the man’s “marital rights”—something that if you really think about it, is kind of gross, because it erases the notion of the wife being able to refuse sexual intercourse with her husband.
[RL’s note: Depressingly enough, marital rape did not start to become a crime in the U.S. until the mid-1970s.]
RL: How do you think Violet’s experience of marriage affects how she’s been living the rest of her life—not just practically, but emotionally, and in what she expects and doesn’t let herself expect? (This is a really basic question, I guess, since that’s so central to the story, but we also didn’t see Violet before her marriage, when she was already living by her mother’s rules. I basically would read ALL the backstory fic in the world about what she was like as a girl, and in the first months of her marriage when she thought things were going to turn out well.)
CM: Violet’s mother gave her girls a pretty good grounding in proper behavior, and society did the rest. Women are supposed to defer to their husbands. They’re taught to do that, taught that men know best, taught that men are the ones that will keep them safe. So when things don’t go down that way—when the things that everyone has been telling her don’t quite turn out that way—I think it’s hard for her not to blame herself. As the book starts, Violet has internalized a lot of her husband’s criticism. It may not be rational, but I think it’s pretty normal.
Continue reading “DFH Interview #7: Courtney Milan”